Forgotten Project

10/30/2010
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I’ve been making myself a list of things to do each weekend as the week goes along.  I didn’t do that this weekend for whatever reason.  So not much of anything is getting done.  I’m just wandering around aimlessly procrastinating on computer-related projects.  It doesn’t help that it’s cold, super rainy and dark out. 

Amanda H. reminded me yesterday that I never showed you guys what my iPad sleeve looks like.  This is it.  I was keeping it under wraps at first because I was going to make some for the shop and I like to wait until that point to share.  But, I never found the time to make sleeves.  So I thought I'd share this anyway.  It’s all dirty and grimy now.  It doesn’t look near as clean as this does, but it serves it’s purpose very well.  The little pocket on the flap is for my headphones and cleaning cloth.  I made another version that I gave to my mom for her iPad and it has a little slot for a stylus to slide into right above the pocket.  Very handy.  I’d love to say I'll make some for the shop in the future, but I am SO busy at the moment.  I guess the holiday season will do that for a blog. 

I did get some of my wallet size calendars drafted up and just need to put in the order with the printer.  I think I will get those in the shop sometime in November.  There will be the craft version and a general-photography type version.  I haven’t decided if I'm going to do bigger sizes yet as the pricing is kind of a dramatic change since I don’t print them myself.  Can I have a “show of hands” from those of you that might be interested in these little wallet size calendars so I have a rough idea of how many to order…?

Just Because

10/26/2010
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I liked this photo so much, I thought I would take the excuse to blog that I listed the block prints in my Etsy shop this morning.  I’m currently working on a cute project with one of the turquoise owl prints…i’m thinking it might be a wall quilt.  We’ll see.  I’m taking a break from it right now to see how I feel about it later.  Originally I thought bag, but it’s kind of big now…

More To Come

10/25/2010
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I got out the block printing supplies again today and printed up a few more owls.  I’ll heat set them tomorrow and get them listed – just incase you missed the last round of prints.  I also printed up some of my apple with stitching on linen and have two little moleskins with apple prints.  I’ll Twitter it (@sometimescraftr) when they are listed in the shop.  Other than that, I have been busy working on computer related projects.  I got one big project out of the way and a pattern for the shop FINALLY written.  It’s being tested by a few friends right now and then once I have all the feedback I'll get it into the shop.  I’ll be sure to dedicate a post to that one.  Now to motivate myself to work on the pattern for the tree skirt…

Block Printing – The Basics

10/17/2010

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So you want to try block printing, but you’re not really sure where to start?  Well, this post is for you!  I thought it would be fun to do a run down of what is involved in creating a block print so that you might be inspired to try your own after you see how simple it can be.  It can seem time consuming, but it really goes pretty quick.  I’m self taught, so I'm sure I do things differently than others, but this is what works well for me and maybe you, too.

IMG_3567 The first thing you need is some basic tools and supplies.  The most important things that you will probably need to go purchase are a carving set and carving material (linoleum). I buy mine at a local art store (Art Media).  While I've seen the carving set at Michaels and Joann’s, I have not seen the linoleum there – but it should be easy enough to find online if not locally at a specialty art store.  I like to buy the big 12x12” sheet and then use just the amount I need.  I’ve gotten 4 carvings from a sheet that size and still have some left over.  So it goes a long way for me. 

IMG_3569 IMG_3559 The carving set I use is for linoleum and is made by Speedball.  I like how the blades all store into the tool itself so I never loose a piece.  The set comes with 5 blades and they all serve a purpose.  The rest of what you need will depend upon your next steps and what you have available, and I'll explain as we go. 

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After you’ve gathered your supplies, you’ll need to decide on what you want to carve.  You can either draw something freehand or create it on the computer (which is what I like to do).  When block printing you want to make sure your design isn’t too intricate or delicate because it’s hard to get too precise in your carving.  Block prints are better with bigger and bulkier designs.  After you have your design you will need to transfer it to your carving block – I like to scribble on the back of my design and then lay it on the block and trace around the front size with the pencil to transfer it (or you can draw your design right on the block if you’d like).  Once I have it traced on the block I like to trim it down to a smaller size so it’s easier to work with and less wasteful.  Usually I use scissors or the scalpel like  carving blade to cut away at the shape – an X-acto or box cutting knife would work, too.

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Now comes the carving part.  First I start off with the scalpel-like blade (blade #6).  I trace around my design on the outside of my pencil line.  I like to do this so that the next part of carving is a little easier.  (If you click on the second photo, you should be able to see how I've cut around the design.)

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For the next part of carving I move to blade #1.  It’s a small blade with a slight ‘V’ shape to it.  I start it along the lines I cut with the previous blade.  Having outlined my shape, blade #1 follows along the design easily and I have less of a chance to mess it up by accidentally carving out too much.  It really helps.  On this particular design I had some sharp corners, so I actually started my blade at sharp corner and carved outwards.  This is probably a good time to make sure to let you know to carve away from your body and hands – you wouldn’t want to slip up and cut yourself!  This part of the carving is only meant to carve a little away from your shape.  You aren’t meant to carve large chunks out, it’s just one step in a few to get where you need to get.

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Once I have the basic design carved out a little I move to the next ‘V’ shaped blade (#2) that is a little bit deeper of a ‘V’.  I use this to carve around my design a little more.  It’s basically just making my initial cuts a little deeper.

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I repeat the last step again with the next ‘V’ shaped blade, #3.  Again, it’s a little deeper of a ‘V’ and can get around my design more.  All of this carving out with the ‘V’ blades is to make it easier to carve with the last blade, which really removes the extra material.

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Now that the design is good and defined with all of my carvings with the various ‘V’ shaped blades I move to the ‘U’ shaped blade (#5) to begin removing everything else that I don’t want to show up when I stamp.  This blade is great for carving away everything around the edges and in large spaces.  If it’s a smaller space with lots to remove, I go back to using the ‘V’ blade as they are a little more precise. 

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I usually go back and fine tunes some of my carving at the end, but once I'm happy with the carving I take my scissors and cut away the excess linoleum so that I don’t run the risk of getting ink on it and ruining my print later.  Once that’s all done, I give it a quick scrub under lukewarm water to remove all the excess shavings and pat it dry.  Now it’s time to print!

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So, now that the stamp is carved, now I can ink it up.  I have to grab a few more things for this step – ink, brayer, fabric, plate (for putting the ink on) and paper.  I always lay down paper where I'm going to stamp as the ink will go through the looser weave of the linen when I stamp.  I also have some scrap computer paper on hand to lay down when stamping.  I have several pieces so I can use a new one when I stamp a new scrap of fabric. 

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I like to use the dinner plate because it’s big and the inks are water-soluble and will wash right off of it.  The ink will dry out, so you need to be sure and only pour a small amount at a time and get all your stamping done before taking a break.  It all goes pretty quickly. 

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I roll my brayer in the ink and then roll it on my stamp in an even layer.  Before I stamp on fabric I give a quick stamp on paper to make sure I got everything carved out correctly.  Sometimes I'll have a spot that needs a little more carved away.  But you do want to be careful and not carve too much away.  As you can see the ink splatters around a little on the stamp, but since it’s carved away enough it doesn’t  cause a problem when stamping.

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Then I stamp on fabric.  And I get something that looks like this.  Once i’m all done stamping I take everything over to the sink and rinse it out and let it dry.  At this point you’ll want to follow the manufacturer’s instructions for drying and heat setting.  I happened to use Jacquard ink on this print and the instructions were to let it dry for 24 hours and then heat set for 3 minutes.  After that it should be good to go – although I find that it still does fade slightly in the washing machine.  So I usually recommend spot cleaning.  Still have questions?  Ask away and I’ll try and remember to respond in the comments with my answers. 

Mr. Owl – The Block Prints

10/16/2010

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If you were interested in one of my owl block prints, they have been listed in my Etsy shop.  If they happen to be gone before you can get one, email me (look on my about page) to let me know how many you would like and in which color (black and turquoise at this time) and I will do a second printing if there is enough interest.  I have a post planned on the basics of block printing, since so many of you seem interested in it.  It’s really simple and lots of fun!  So stay tuned for that…

Apples!

10/11/2010
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I made a new lino cut stamp for block printing last night.  It’s super cute, but the ink I used didn’t work so well so I have to pick some more up today.  The lino cuts just don’t like the pearlescent inks, I've found.  Which is a bummer, because this red was so perfect!  I can see many projects involving this little apple and I can’t wait to show you what I do with these patchwork versions.  I printed a bunch of owls, too.  I’ll be listing those in the shop sometime soon. 

More Holiday Goodies

10/10/2010

IMG_3323 I cranked out a few more things this weekend for my swap partner.  I don’t think I can ever remember crafting this much Christmas stuff at once before in my life.  Usually, it’s all about autumn for me.  I love the fall and it’s colors and everything to do with it – leaves, pumpkins, cider, etc…  So it’s very weird to be so into Christmas right now!  But I am.  Not even into fall one bit…but that may change now that I'm done with my Christmas swap making – we’ll see.  This fabric ornament I made up in an evening.  It’s really pretty easy and I'm going to have a tutorial up in the not too distant future – but I don’t have a date for that yet.  Stay tuned for that…

IMG_3365 I am going to have the hardest time packing this little guy off (an elf like creature referred to as a ‘tomte’). He’s just too adorable!  It’s a pattern from Kajsa Wikman’s (aka Syko) new book Scandinavian Stitches – and it went together beautifully!  And so quick to make as well.  (Look for a the review of that book in the near future.) 

IMG_3383Finally, I made this canvas snowman based on a pattern from a 1994 magazine my mom owns.  It’s something along the lines of folk art Christmas and the designer was Patrick Lose.  He went together rather quickly.  I sewed up the canvas body, put a cardboard base for standing and stability and then applied a generous coat of gesso to him.  After that had dried I pained on his scarf, heart and face by hand.  When those were dry I applied a watered down antique medium and then put on his twig arms and nose.  Lastly, I added the fabric stars to the wire and strung it between his “hands”.  It only took me most of the day because I had to wait for paint to dry.  But, that’s okay, because between coats I worked on the little tomte.  And I have to say, that is the last of the things I will be making for this swap.  I went way overboard, but my partner so deserves it!  I can’t wait for her to receive it all this week.

Now, the part you’ve all been waiting for, the winner of Elizabeth’s book The Practical Guide to Patchwork is Kristine Hanson!  Congratulations – I'll be in contact! 

Book Review: The Practical Guide to Patchwork

10/07/2010

Now closed to comments - Congratulations to Kristine Hanson!

The-Practical-Guide-to-Patchwork First off, I want you to know, when I'm writing my reviews I am giving you honest feedback. I wont just write a positive review if I don’t think the book deserves it. Sometimes a book might not appeal to me in the sense that I want it on my bookshelf, but there is usually always something wonderful about the book to share when I review it. But, occasionally, there are books that I review that are just amazing - and The Practical Guide to Patchwork is one of them. Not since The Gentle Art of Quiltmaking have I loved a quilting book so much! I’m sure most of you know author Elizabeth Hartman from her blog Oh, Fransson! and if you don’t, set aside some time to become acquainted with it. If you do read Elizabeth’s blog, you know she is meticulous in her instructions and construction of her quilts. She is very thorough in her instructions for her tutorials and patterns, and her book is no exception.

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The main focus of this book is to teach you the basics of quiltmaking. The tagline for the book is “New Basics for the Modern Quiltmaker” and I don’t think a more fitting statement can be made. Nothing is left out and it is all presented in an easy to understand, easy to read format.

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The book is beautifully laid out and the photography is wonderful! Her instructions are precise, yet relaxed. While reading through it, I never felt as though someone would become intimidated when picking this up, quite the opposite - you will be inspired! I think many of you that might fear quiltmaking will find this book just what you need to get started. All of the basics are well explained and everything you need in one place. There are photos to help illustrate each point and a generous layout that gives you room to read everything, without become overwhelmed by the amount of instruction on a page.

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The projects are laid out in three sections: Projects to Get You Started, Projects for a Confident Beginner, and Intermediate-Level Projects. Each section has 4 quilt projects and is presented in a similar manor. You are given a full view of the finished quilt, then a view of the main block, step-by-step illustrated and written instructions for assembling the quilt blocks and then the quilt top and backing. And, as a wonderful bonus, there are alternate ideas showing you how it the blocks can look with different colors and different constructions.

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I know there are many of you that have said you don’t own a craft book – well, that should change with the release of this book. If you have only one quilt instruction and project book on your shelf, this needs to be it! Everything you ever needed to know to get started is in here. And, even if you are an experienced quilter, you will find new techniques in making your quilts and even seasoned quilters will love the inspiration this book provides. I get asked (a lot!) about good books for the beginning quilter – this will now be the one book I recommend!

While the book hasn’t been released for sale on Amazon (and other big box retailers) yet, you can find a copy of it now in your local quilt shops and at C&T’s online store! (You can also see a Google preview of the inside of the book on the C&T website.)

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And now the best part of all – one of you could be the lucky winner of this fantastic book thanks to the generosity of Stash Books (who has a lovely blog you’ll want to see)! Just leave a comment and one winner will be randomly chosen this Sunday!

Matching Pin Cushion

10/05/2010

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I thought it’d be fun to send along a matching pin cushion for my partner to use during the holidays.  It’s always nice to add a little more festive to the sewing room, don’t you think?  I sewed together some scrap pieces and trimmed it down to 3-1/2” x 6-1/2”  and backed it with batting and edge stitched on either side of the seams.  Then I cut a scrap for the backing and stitched it all together on the top side, leaving a small opening to stuff it.  I stuffed it, finished sewing it together and used pinking shears on the edge.  Easy.  Now to make one for the next Portland Modern Quilt Guild meeting…

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UPDATE:  I use poly-fill when stuffing it.  And I don’t stuff it too full, because I do want to be able to sew it closed on the sewing machine.  I just like to use the batting on the top when I quilt it to give it a more “quilted” feel.

Christmas Tree Skirt

10/01/2010

IMG_2522 So how many of you guessed that it was a tree skirt?  I thought for sure most of you would have a good idea after seeing the photo of it on the longarm, since it had some of the funny angles to it, not typically associated with a quilt.  The binding took me quite a bit longer to attach than I thought, but now it’s done!  I would like to make this a pattern for the shop, but I'm not sure if I will have the time.  But I'll do my best after I get a few things off of my list. 

IMG_2510 I get asked a lot about where my inspiration comes from, and thought this was a perfect example of how I started with one idea and it evolved into my own.  We are all inspired by what is around us, but sometimes we don’t realize just how much.  I take the tiniest bit of something and create a whole big idea from it sometimes. 

IMG_2545 Well, the inspiration for this tree skirt started with another that I saw in a book publish in 1994 (Small Patchwork & Quilting by Leslie Linsley).  As happens so many times with projects, they eventually become out of date, and this was no exception.  The idea was a good one, but the fabrics are not so much the vogue anymore.  So here was my thought process through this project:

* I liked the idea of the 8 point star with the quilt blocks in the empty space created by the star points, but I didn’t like the blocks being all different.  So I thought I'll just make it two blocks – a red & white log cabin, and an evergreen tree.
* Then I thought about the center star itself.  I wasn’t so sure I wanted to draw out the pieces for the 8 points, so I decided I'd do what I did with my Cheater 8 Point Star quilt block.  Easier to measure out, cut and piece. 
* After I had my basic plan and all the details drawn out, I started piecing.  Only, I wasn’t so thrilled with my first draft for the tree blocks, so I decided i’d see about piecing it in the same log cabin fashion as my other blocks.  Now it was a little more unified.  And I do love how the tree’s turned out. 
* With all my blocks assembled, it was time to attach them to the center star…only I thought about how I wanted to assemble it and decided on another course of action.  Why cut out all these squares, just to cut apart and sew back together when they were all the same fabric?  Didn’t make sense to me.  So I instead had the center be a big square and just attached the star points to it, more like you would with a traditional star block.  That worked perfect. 
* After I had it all assembled, I quilted it up (with some idea help from Liz and Rachel, thanks guys!), and then cut the opening and the center hole last.  It would have been too squirrely trying to quilt it with the separation of it and a big hole in the center.  I ended up quilting it as follows:

* Outlined the trees and stippled the background,
* Outlined the log cabin blocks,
* Swirls all over in the big star.

Of course I didn’t get any close up photos showing the quilting, so watch my Flickr and I'll get some uploaded there in the next few days.

IMG_2525 Just as I finished up the binding on the tree skirt for my swap partner, I received mine in the mail!  Carol was my partner and she made me this beautiful tree skirt and pillow.  I saw it in the group and thought “I want that one!” and look how lucky I was.  I am over the moon about it and can’t wait to have the Christmas tree up to put under it.  It’s perfect and I love it!  I already know Brice will covet this little pillow.  On top of all of that she send along the fabric scraps and a charm square pack from the fabric line (it’s by Kate Spain for Moda) so I could make a quilt.  I’m already thinking of quilt ideas! 

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UPDATE!!!!  If you are interested in buying Carol’s pattern for the tree skirt she made me, you can see her original version here, and email her directly to purchase the pattern for $12, either through Flickr Mail or via email at turznik[at]execpc[dot]com.